Delcy Morelos

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Published on the occasion of a commission by Dia Art Foundation, the book is not only a retrospective of Morelos’s work, but also, delves into the intricate relationships between Indigenous communities and their natural surroundings. By examining the aesthetic and environmental considerations of the natural materials used in Morelos’s installations, readers reflect on their own…

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Description

Published on the occasion of a commission by Dia Art Foundation, the book is not only a retrospective of Morelos’s work, but also, delves into the intricate relationships between Indigenous communities and their natural surroundings. By examining the aesthetic and environmental considerations of the natural materials used in Morelos’s installations, readers reflect on their own relationship with the environment and the materials that shape our world. Includes a conversation between Morelos and Chilean artist and poet Cecilia Vicuña, as well as stories from Indigenous communities in Amazonian Colombia, providing firsthand insights into the cultural narratives that inform Morelos’s practice. Morelos’s immersive installations aim to cultivate moments of connection with what she describes as the « intimate humidity of the Earth. » This monograph, the first to be published in the United States, situates the Bogotà-based artist’s practice within a broader, more global history of Land art and abstraction. It also examines the aesthetic and environmental considerations of the natural materials used in her Dia commission as well as their unique sensory, spatial, and phenomenological impact on the viewer. The book will uncover the fascinating art-historical grounding of the commission through an introduction by Alexis Lowry, Dia curator. This overview will be supplemented by a meditation on peat, a singular and controversial material in Land art, by curator Camila Marambio and University of Queensland biology professor Renee Rossini, as well as an essay on scent and sculpture by Oswaldo Macía. The book will also feature a statement by the artist herself and a lively conversation between Morelos and the Chilean artist and poet Cecilia Vicuña. In a further exploration of one of Morelos’s central creative and intellectual inspirations-Indigenous narratives about land and soil-this volume will publish for the first time a special section of stories from four communities-Barasana, Uitoto N+pode, and Yucuna-based in the Amazonian lands more commonly known as Colombia. LangueenVersionCouverture rigideDate de sortie initiale01 septembre 2024Nombre de pages364

Personnes impliquées

Auteur principal

Alexis Lowry

Deuxième auteur

Kamilah N Foreman

Rédacteur en chef

Alexis Lowry

Editeur principal

Rm Verlag SL

Informations sur le fabricant

Nom du fabricantChristina GladhillAdresse du fabricantRío Pánuco 41 – 6500 – Colonia Cuauhtémoc – MXAdresse électronique du fabricant[email protected]Informations sur le fabricantLes informations du fabricant ne sont actuellement pas disponibles

Autres spécifications

Hauteur de l’emballage28 mmHauteur du produit29 mmLargeur d’emballage200 mmLargeur du produit177 mmLivre d‘étudeNonLongueur d’emballage260 mmLongueur du produit255 mmPoids de l’emballage1188 gÉdition1

EAN

EAN9788419233936

Sécurité des produits

Opérateur économique responsable dans l’UE

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Art et Photographie

Sujets d’art

Artistes

Arts plastiques

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Livre, ebook ou livre audio ?

Livre

Disponibilité

Disponible à l’adresse suivante

Langue

Anglais

Type de livre

Hardcover

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