Center Stage Operatic Culture and Nation Building in Nineteenth-Century Central Europe

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This volume, a revised and extended version of two well-reviewed books published in German and Czech, explores the social and political background to this “opera mania” in nineteenth century Central Europe. Grand palaces of culture, opera theaters marked the center of European cities like the cathedrals of the Middle Ages. As opera cast its spell,…

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This volume, a revised and extended version of two well-reviewed books published in German and Czech, explores the social and political background to this “opera mania” in nineteenth century Central Europe. Grand palaces of culture, opera theaters marked the center of European cities like the cathedrals of the Middle Ages. As opera cast its spell, almost every European city and society aspired to have its own opera house, and dozens of new theaters were constructed in the course of the « long » nineteenth century. At the time of the French Revolution in 1789, only a few, mostly royal, opera theaters, existed in Europe. However, by the turn of the nineteenth and twentieth centuries nearly every large town possessed a theater in which operas were performed, especially in Central Europe, the region upon which this book concentrates. This volume, a revised and extended version of two well-reviewed books published in German and Czech, explores the social and political background to this « opera mania » in nineteenth century Central Europe. After tracing the major trends in the opera history of the period, including the emergence of national genres of opera and its various social functions and cultural meanings, the author contrasts the histories of the major houses in Dresden (a court theater), Lemberg (a theater built and sponsored by aristocrats), and Prague (a civic institution). Beyond the operatic institutions and their key stage productions, composers such as Carl Maria von Weber, Richard Wagner, Bed?ich Smetana, Stanis?aw Moniuszko, Antonín Dvo?ák, and Richard Strauss are put in their social and political contexts. The concluding chapter, bringing together the different leitmotifs of social and cultural history explored in the rest of the book, explains the specificities of opera life in Central Europe within a wider European and global framework. LangueenVersionBrochéDate de sortie initiale15 février 2014Nombre de pages340IllustrationsNon

Traduction

Premier traducteur

Charlotte Hughes-Kreutzmuller

Personnes impliquées

Auteur principal

Philipp Ther

Editeur principal

Purdue University Press

Informations sur le fabricant

Nom du fabricantMare Nostrum Group B.V.Adresse électronique du fabricant[email protected]Informations sur le fabricantLes informations du fabricant ne sont actuellement pas disponibles

Autres spécifications

Hauteur de l’emballage229 mmHauteur du produit25 mmLargeur d’emballage152 mmLargeur du produit159 mmLivre d‘étudeNonLongueur d’emballage20 mmLongueur du produit235 mmPoids de l’emballage476 gPolice de caractères extra largeNon

EAN

EAN9781557536754

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Opérateur économique responsable dans l’UE

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Catégories

Art et Photographie

Histoire

Musique

Histoire sociale et Culturelle

Styles de musique

Opéra

Périodes

Histoire postmoderne

Livres

Livre, ebook ou livre audio ?

Livre

Disponibilité

Disponible à l’adresse suivante

Langue

Anglais

Type de livre

Paperback

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