Description
Through their production and consumption of bhangra and Asian Underground music in the late 1990s, British Asian youth constructed masculinities and femininities with profoundly uneven implications for ethnic, racial, and national belonging. Asian Underground music-a fusion of South Asian genres with western breakbeats created for the dance club scene by DJs and musicians of Indian, Pakistani, and Bangladeshi descent-went mainstream in the U.K. in the late 1990s. Its success was unprecedented: British bhangra, a blend of Punjabi folk music with hip-hop musical elements, was enormously popular among South Asian communities but had yet to become mainstream. For many, the widespread attention to Asian Underground music signaled the emergence of a supposedly new, tolerant, and multicultural Britain that could finally accept South Asians. Interweaving ethnography and theory, Falu Bakrania examines the social life of British Asian musical culture to reveal a more complex and contradictory story of South Asian belonging in Britain. Analyzing the production of bhangra and Asian Underground music by male artists and its consumption by female club-goers, Bakrania shows that gender, sexuality, and class intersected in ways that profoundly shaped how young people interpreted “British” and “Asian” identity and negotiated, sometimes violently, contests about ethnic authenticity, sexual morality, individual expression, and political empowerment. LangueenVersionBrochéDate de sortie initiale04 octobre 2013Nombre de pages245IllustrationsNon
Personnes impliquées
Auteur principal
Falu Bakrania
Editeur principal
Duke University Press
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Hommes et société
Art et Photographie
Musique
Culture
Groupes sociaux
Sociologie
Styles de musique
Pop culture
Études ethniques
Théorie sociale
Musique du monde
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