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“A winning combination of scholarship and intuition—and an unparalleled guide to understanding and performing these works.” —Emanuel Ax In his concertos Beethoven joined in a sort of human expression that seems almost universal: a discourse of the individual and the group, or of leader and followers who sometimes work together in harmony and sometimes appear pitted one against the other (early definitions of the concerto, indeed, were divided as to which was the main idea of the genre—cooperation or conflict). In his concertos Beethoven typically cast himself as leader; the concerto was for him mainly a youthful preoccupation intimately bound up with his prowess and ambition as a public pianist. The hope is that a wide-ranging consideration of the historical context will serve to cast new light upon the music itself, which remains the central focus of this study. LangueenVersionBrochéDate de sortie initiale11 février 1998Nombre de pages524IllustrationsNon

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Auteur principal

Leon Plantinga

Editeur principal

W. W. Norton & Company

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Nom du fabricantLibri GmbHAdresse électronique du fabricant[email protected]Informations sur le fabricantLes informations du fabricant ne sont actuellement pas disponibles

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Hauteur de l’emballage226 mmLargeur d’emballage152 mmLargeur du produit127 mmLivre d‘étudeNonLongueur d’emballage36 mmLongueur du produit203 mmPoids de l’emballage794 gPolice de caractères extra largeNonÉdition1

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EAN9780393333459

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Art et Photographie

Musique

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Anglais

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